
Game of Thrones captivated audiences due to the strength of its writing and acting, which brought to life a world dominated by political intrigue and populated with morally complex characters that kept audiences guessing who to root for and why. Naturally, this resulted in many phenomenal episodes that had viewers hooked from beginning to end. For this list, we’ll be excluding episodes that are widely considered the best, like “Baelor” or “The Rains of Castamere,” to demonstrate that the show’s writing was great even in less plot-crucial episodes.
10. “The Queen’s Justice”
Season 7, Episode 3, 2017
Season 7 is full of poor-quality episodes, but “The Queen’s Justice” is one of the few that work. There are a few hiccups, such as Bran’s creepy statement that he saw Sansa during her controversial wedding to Ramsay Bolton (Iwan Rheon), but the interaction between Daenerys and Jon is just as gripping as the setup sounds. The two play a complicated political dance, sizing one another up and trying not to completely burn their bridge without giving in to the other’s demands. The ending sees Olenna Tyrell (Dame Diana Rigg) go out in one final blaze of glory as she tells Ser Jaime Lannister (Nikolaj Coster-Waldau) that she was the one who killed his son, King Joffrey Baratheon (Jack Gleeson), after swallowing poison.
9. “Garden of Bones”
Season 2, Episode 4, 2012
“Garden of Bones” opens strong on a brutal Stark victory and keeps that momentum alive through strong character interactions that set up future events. Robb and Daenerys’ storylines introduce new important characters like Roose Bolton (Michael McElhatton), Talisa, and the political leaders of Qarth, while King’s Landing sees Joffrey’s cruelty sink to new lows while Tyrion (Peter Dinklage) continues to steal power from his sister. The Stormland scenes are the best: the negotiations between the Baratheon brothers highlight their contrasting personalities while showing how pride and ambition have made them willing to kill each other, while Catelyn Stark (Mitchelle Fairley) has an emotional confrontation with Petyr Baelish (Aidan Gillen). It ends with Ser Davos Seaworth (Liam Cunningham) witnessing Melisandre (Carice van Houten) birthing a creature of shadows, leading to a terrific cliffhanger.
8. “Second Sons”
Season 3, Episode 8, 2013
“Second Sons” is full of interesting twists, revelations, and engaging character moments. All of this can be seen in the Lannister Wedding, where Tyrion once again demonstrates his noble soul by not only refusing to sleep with Sansa against her will, but threatening to castrate Joffrey if he does anything to harm or humiliate her. The Yunkai and Dragonstone scenes are also good: Daenerys gains a new ally in Daario Naharis (Ed Skrein and Michiel Huisman), while Stannis and Davos’ conversation is a highlight of their relationship by demonstrating their mutual respect while reinforcing Davos’ moral principles. The climax between Sam and the White Walker is an excellent conclusion, with Sam valiantly defending Gilly from a superior foe, revealing a secret to defeating the White Walkers and starting Sam down the road of self-improvement.
7. “The Bear and the Maiden Fair”
Season 3, Episode 7, 2013
“The Bear and the Maiden Fair” is the third episode Martin wrote for the show, and while not as impactful as episodes like “Blackwater” or “The Lion and the Rose,” it still contains outstanding character progression and sharp dialogue. Both Daenerys’ negotiations with Yunkai and Tywin’s talk with Joffrey show two different kinds of power: Daenerys cowed the Yunkai ambassador with her dragons, while Tywin needed only to walk up the steps of the Iron Throne to remind Joffrey who the real power in Westeros is. Jon’s story sees the Wildling raiders get closer to Castle Black, and his talk with Ygritte is a tragic reminder of the differences between their cultures, foreshadowing their doomed romance. Yet Jaime’s storyline is the highlight, both because of his selfless bravery in rescuing Brienne, and for the amazing effects that combined two different sets to make it seem like the actors and the bear were actually within a few feet of one another.
6. “The Climb”
Season 3, Episode 6, 2013
“The Climb” is a brilliant example of a setup episode: it might be low on action, but it puts the pieces where they need to be to kick off the final stretch of the season. The titular climb is a brutal and suspenseful trek fraught with danger, especially when a section of the Wall breaks off. Littlefinger also delivers his iconic “Chaos is a ladder” speech, which offers great insight into his thought process and sets up later twists in Season 4. Olenna and Tywin’s meeting is another standout scene, as these two characters are on equal footing in terms of intelligence and guile, and Dance and Rigg do a wonderful job playing off one another.
5. “And Now His Watch Is Ended”
Season 3, Episode 4, 2013
“And Now His Watch Is Ended” is permeated with themes of revenge and the dangers of arrogance. Each major scene contains this in some form, be it Varys revealing his origins to Tyrion before claiming revenge on the man who emasculated him, or Daenerys burning down Astapor because the slavers underestimated her. This not only gives the episode a strong unifying theme, but it also ensures that events build on one another, keeping the momentum going up to the fiery finish.
4. “You Win or You Die”
Season 1, Episode 7, 2011
“You Win or You Die” is an excellent “the clouds burst” type of episode, where the building tension is finally unleashed. Things just keep going from bad to worse, from Eddard, who loses his best friend before being betrayed by his supposed allies, to Drogo’s invasion plans threatening a destabilized Westeros. It also gives one of the best character introductions in the series with Tywin skinning a deer, symbolizing the fall of House Baratheon and showing that Tywin is a man who isn’t afraid to do his own dirty work. The episode also contains several of the show’s best quotes, such as “When you play the game of thrones, you win or you die,” and “I did warn you not to trust me.”
3. “Mockingbird”
Season 4, Episode 7, 2014
Tyrion tries to find a champion for his upcoming trial by combat, but finds that all of his allies are abandoning him. In the Riverlands, Arya and Sandor continue to fight their way through he war-torn land, while Brienne of Tarth is close by, trying to fulfil her oath to Catelyn to save her daughters. As for the elder Stark girl, she is in the Vale and nearly gets killed by her aunt, Lysa, after she caught Petyr, her only love, kissing her.
2. “The Old Gods and the New”
Season 2, Episode 6, 2012
Theon Greyjoy, now fighting for his father as he declares independence and ownership of the North, takes Winterfell with only a handful of men. In the south, Arya works with an assassin named Jaqen H’ghar (Tom Wlaschiha) to survive Harrenhal, while a food shortage in King’s Landing leads to a deadly riot. Beyond the Wall, Jon is separated from the rest of the Night’s Watch and must try to get back to them with his prisoner, Ygritte.
1. “Kissed by Fire”
Season 3, Episode 5, 2013
To stop the Tyrells from acquiring too much political power, Tywin plans to use Tyrion and Cersei to acquire Winterfell and Highgarden through marriage. In the Riverlands, Brienne and Jaime arrive at Harrenhal, Robb must deal with a traitorous vessel, and Sandor duels with Beric Dondarrion for his right to live. North of the Wall, Jon is lured into a cave by Ygritte, who decides to test his loyalty by making him break his vow of celibacy.
“Kissed By Fire” is probably the best example of a great episode from start to finish, as it provides a bit of everything that made Game of Thrones great. Action comes in the form of Sandor and Beric’s duel, a close-quarters brawl that lets McCann flex his talent by tapping into Sandor’s fear and rage, especially when Beric lights his sword on fire. Robb and Jon’s storylines provide the drama in the form of testing their honor and how much they are willing to bend it for the given circumstance. Then there is Jaime and Brienne’s talk in the bath, which is nothing short of a masterpiece in character writing that completely recontextualizes everything we knew about Jaime up to this point.