I liked the idea of integrating all three shows seamlessly. Featuring characters from all three shows in every part of the crossover helped the story flow more cohesively than several other crossovers in the One Chicago universe. However, the downside of this approach was that it made the latest One Chicago crossover feel like a three-hour episode of one show rather than three different shows that told a blended story.
Chicago Fire Dominated The Crossover
Every Storyline Tied Back To Firehouse 51
Chicago Fire aired in the first part of the hour, but its presence was felt throughout the entire crossover. The story began with Firehouse 51 responding to a call about a gas explosion at a government building, and every storyline in the One Chicago crossover came out of that story. To an extent, that was logical, as there would be no crossover story without the gas explosion. However, Chicago Fire carried most of the three-hour story, which left little room for the other two shows.
I wouldn’t have expected any of the shows to have standalone stories, as that would defeat the purpose of the crossover. However, this particular crossover seemed far more unbalanced than previous ones I have covered in my career. While “In the Trenches” paid homage to Chicago Fire‘s longevity and status as the first show in the franchise, it might have been confusing to that part of the audience that doesn’t watch the fire-and-rescue show regularly.
The Crossover’s Integration Of All Three Shows Made It Harder To Give Them Equal Time
Past Crossovers Gave Each Show Its Own Story
This parallel story structure made it harder to dedicate time to Chicago Med and Chicago PD‘s stories, contributing to the lack of balance in the crossover.
That said, the other two shows had important storylines that were addressed in the crossover. However, instead of the second hour being dedicated to treating burn victims and the third hour of the show being focused on Voight’s team trying to catch the person who had shot Trudy and other perps related to the gas explosion, the investigation was going on alongside these other stories. This parallel story structure made it harder to dedicate time to Chicago Med and Chicago PD‘s stories, contributing to the lack of balance in the crossover.
Med and PD’s Subplot Was Interesting But Got Less Time
It Was Resolved Too Quickly Because of Time Constraints
Unfortunately, this subplot didn’t get much follow-through. Although Goodwin (S Epatha Merkerson) supported Lenox’s position, Lenox decided to compromise by giving Burgess (Marina Squerciato) information that could help identify the patient without compromising her care. It was disappointing that One Chicago didn’t give this story the time and energy it deserved, although I understood that it was difficult to find space for it with everything else that was happening in this fast-paced crossover.