Thanks, I tell the creators of Ghosts sarcastically, for making my daughter cry. The evening before, my family watched the supernatural sitcom’s final episode, and the only dry eyes in the house were mine.
This reaction, I tell Martha Howe-Douglas, Laurence Rickard, Jim Howick and Mathew Baynton over Zoom call, is going to be replicated across Britain. Did you think about how you were going to ruin everybody’s Christmas when you wrote this tearjerker? “Ah, you can but dream,” says Baynton, who plays the Romantic poet Thomas, wistfully.
The Ghosts team implore me not to reveal plot twists from the last episode, but there are some tantalising details I can share without spoiling the viewing experience. First, this is the episode where the final secret about the ghosts is revealed, namely how the Captain died. Second, there is a flash-forward to Alison and Mike in their dotage. But most of all, this is where we learn the fates of everybody, living and dead. I’d like to reveal more about whether Alison and Mike do sell land from the estate to build a golf course, or if any ghost is going to emulate Katy Wix’s character Mary and be sucked off (their words) into the spirit realm, but if I did it’s quite possible the cast would hunt me down and chop off my head. Or maybe they’d just haunt me for ever which, to be honest, doesn’t sound so bad.
Four talking heads nod on their respective Zoom screens.
“I always think Chekhov is funnier than it’s usually done,” says Rickard – who plays two parts, Humphrey the headless and Robin the caveman. “They’re fixed somewhere and also utterly baffled as to why they’re there. So you have these existential crises going on with people who are already dead.” “I was in a production of Vanya once,” says Howick, who plays Scout leader Pat. “It was nothing like this.”
That’s the spirit … a feast at Button Hall, although the ghosts can’t eat.
RIP Ghosts: a joyful comedy that lit up this bin fire of a world
Read more
Baynton says: “On the face of it, it’s about ghosts, but it’s really just a metaphor for what it’s like to be a person. You’re born into the world and everyone’s got different opinions about what everything means. To do that in a family sitcom always felt like an amazing trick to me. It kind of is Beckett, but it’s um … silly Beckett.”
Cast your mind back to April 2019, when the team behind Horrible Histories unveiled a new comedy. Did your careers ever recover from Horrible Histories being endorsed by Michael Gove as a tool for teaching? “I think that was nicely ballasted by James Cleverly or Piers Morgan a few years later around Brexit saying that it was a waste of licence fee,” says Baynton. It was actually Morgan who, with his unerring grasp of the national mood, in 2020 tweeted that the show was “an outrageous, shameful abuse of public money”.
At the outset, Ghosts seemed like a spin-off from Horrible Histories’ Stupid Deaths segment, in which the team recreated a laughable demise (King Harold shot in the eye at Hastings, self-styled gong farmer Richard the Raker drowning in his own poo, Aeschylus killed by an eagle dropping a tortoise on his head). The eponymous Ghosts often died similarly stupidly: Howick’s Scout leader Pat died in an archery accident and wears an arrow through his neck for all eternity; Lolly Adefope’s Georgian noblewoman Kitty was slain by a spider bite from a transatlantically imported pineapple.
