
“New York Minute” primarily revolves around Danny Reagan losing out on a prestigious award that has a connection to the Reagan family, but there are also stories about a mentally ill young man and art forgery. Aside from some tense standoffs in the second plotline, there’s not much action, and some of the family members have little to do. But the episode’s heart is in the right place, and it has good ideas that it just doesn’t develop all the way.
Blue Bloods Puts Danny Under a Microscope – Kind Of
Lori Loughlin Returns as Grace Edwards
Grace’s explanation that Danny is ” a very loose cannon” is not out of left field, and neither is Frank’s determination to stand up for his son. The added connection back to Joe Reagan, who had been set to receive the same award before his death, may or may not be necessary. It’s always nice when Blue Bloods calls back to Joe and his impact on everyone else’s lives. But this plotline doesn’t need that to be interesting. The fact that Danny’s family members spend time talking about Danny before anyone actually informs him creates enough drama, because he’s right to be angered by that. And the criticism of Danny could also be a discussion point to talk about how cops are perceived — especially those with family ties to the department. But rather than get into that, the plot becomes about curses and history.
Henry Reagan: When he retires, they should throw every medal in the book at him. But he just shouldn’t receive this one.
The trio of scenes between Loughlin and Tom Selleck are fine, but not much more than the usual disagreements Frank gets into with other public figures, and Loughlin is stone-faced most of the time so the emotional high points (like a moment in which Grace accuses Frank of trying to blackmail her) are harder to connect with. But this story is really about the family’s lack of communication, and in that, it succeeds.
Blue Bloods Season 14, Episode 14 Lets Eddie Keep Problem-Solving
Vanessa Ray Has Another Good Outing
The second half of Blue Bloods Season 14 has so far been pretty good for Eddie Janko-Reagan. “New York Minute” is the second time in three episodes that Eddie’s ability to problem-solve, or at least attempt to, has been in the spotlight. The Blue Bloods Season 14 midseason premiere saw her go out of her way to help a girl whose mother had been murdered, and in this episode, she goes above and beyond again to try and help a mentally ill young man — even if she just makes a bad situation more complicated. The most exciting part of the episode happens at the beginning, when Eddie and her partner find her old friend Rachel Witten being held hostage. After they defuse the situation, Eddie realizes that Rachel provoked Jimmy Catsavis in an attempt to get him help for his mental health and substance abuse issues.
Eddie Janko-Reagan: You instigated him to get him back in the system.
Rachel quits her job as a social worker after all this, but Eddie and Jamie tell her that she’s saved Jimmy’s life and start unpacking her stuff, so it’s possible that she’s not going anywhere. This semi-vague conclusion is another example of the primary issue with Season 14, Episode 14: it knows how to start its stories, but not really how to finish them. That’s particularly glaring in the one plot that should be the easiest to solve.
Blue Bloods Gets Danny Into Art Crime
The Case of the Week is the Least Intense Part
There’s not enough screen time to get interested in any of the details of this case, and Blue Bloods also misses an opportunity to tie this back to the Irish Society award story. With Grace calling Danny a loose cannon, how he behaved during this investigation could’ve been a juxtaposition. Either he could’ve done something off-book again (therefore proving Grace right and adding pressure on Frank’s shoulders) or maybe he had a choice and chooses the safer option (therefore proving her wrong and giving Frank the perfect rebuttal). Instead, this is a run-of-the-mill story that wraps up abruptly when Catherine is quickly arrested. Its last scene is just Danny calmly telling her son Blake that he doesn’t think he has it wrong. There’s no real payoff, emotionally or dramatically.