Chicago P.D. gears up for another intense season in 2025, rumors of a major cast shake-up have fans on edge. Over the years, the series has captured hearts with its gripping storylines, high-octane action, and deeply layered characters. But with every new chapter comes change, and the potential departure of several beloved actors could mark a significant turning point for the franchise. While NBC has yet to confirm any exits officially, behind-the-scenes whispers, actor interviews, and storyline hints suggest that up to four key cast members might be saying goodbye. For a series that thrives on character-driven drama, losing familiar faces would not only reshape the team dynamic but also shift the emotional core of Intelligence.
One of the biggest question marks surrounds Jason Beghe, who has portrayed Sergeant Hank Voight since the series premiered. Voight’s gritty leadership and morally gray approach to justice have defined the tone of the show for over a decade. Yet, recent episodes have shown a more reflective, emotionally fatigued Voight—particularly after the loss of Alvin Olinsky and the constant burden of leading a team through Chicago’s toughest cases. In interviews, Beghe has spoken openly about how physically and emotionally demanding the role can be, sparking concern that his time as the head of Intelligence may be winding down. While no official statement has been made, fans are beginning to prepare themselves for the possibility that Season 13—or even the early half of Season 12—could mark Voight’s last stand. If that happens, the show will face the monumental task of either replacing a titan or reinventing itself entirely.
Another actor whose future remains uncertain is Tracy Spiridakos, who plays Detective Hailey Upton. Since the departure of Jesse Lee Soffer’s Jay Halstead, Upton has been navigating an emotional and professional void, and fans have watched her struggle to maintain her footing both in the unit and in her personal life. Spiridakos’s contract reportedly runs through Season 12, and although negotiations for an extension could still occur, the actress has hinted at wanting to pursue new creative challenges. In a recent podcast appearance, she described her experience on the show as “incredibly fulfilling,” but noted her excitement about exploring other genres and characters. With Upton’s arc reaching a natural crossroads—especially after confronting her trauma and growing more independent—it wouldn’t be shocking if the writers crafted a graceful exit that allows her to start anew, perhaps even in another city or division.
Meanwhile, long-time cast member Marina Squerciati, who plays Officer Kim Burgess, is another name circulating in departure rumors. After surviving a brutal abduction, wrestling with PTSD, and taking on full-time guardianship of Makayla, Burgess’s storyline has been both emotionally rich and increasingly complex. But some fans worry that the character has peaked in terms of development, and recent episodes have subtly hinted at possible closure. In a recent social media post, Squerciati shared behind-the-scenes photos from set with a caption that read like a farewell letter—thanking crew members and reflecting on the “journey of a lifetime.” Although this could simply be sentimental appreciation, it has undeniably fueled speculation. The show has also made it clear that Burgess’s emotional well-being is finally stabilizing, a narrative cue often used before a character is written off in a satisfying way. Should she leave, her bond with Ruzek and her daughter would undoubtedly provide a powerful send-off moment for longtime viewers.
Another surprising candidate for a potential departure is LaRoyce Hawkins, who plays Officer Kevin Atwater. As the heart and conscience of the team, Atwater has consistently brought compassion and complexity to his role—especially as a Black officer navigating the complicated intersections of community, race, and policing. Hawkins has been a vocal advocate for more nuanced storytelling around his character and has expressed interest in stepping behind the camera. With several writing and directing projects reportedly in development, it’s plausible that Hawkins might scale back his acting commitments or even leave Chicago P.D. altogether to pursue those passions. If this happens, it would be a substantial loss not just in terms of character depth, but also for the diversity and realism that Atwater brings to the show. His departure would demand a serious recalibration of the team’s internal dynamics and moral compass.
What makes these possible exits so impactful is not just the loss of familiar faces, but the emotional history these characters carry. Voight’s haunted past, Upton’s trauma and resilience, Burgess’s growth as a mother and survivor, and Atwater’s constant battle for justice all form the backbone of the show’s emotional weight. Each potential exit signals a deeper shift—not just in the plot but in the very identity of Chicago P.D. Whether these characters are given a heroic send-off, a quiet resignation, or an ambiguous departure remains to be seen. But one thing is certain: the writing appears to be on the wall for major changes ahead.
