Chicago P.D. Season 12, Episode 17 stands out for a different reason—the long-awaited, overdue recognition of Kevin Atwater. This episode takes a sharp turn from the usual procedural storytelling and dives deep into Atwater’s character, providing a storyline that feels both refreshing and fulfilling. For years, Atwater has often been the unsung hero of the Intelligence Unit, but Episode 17 finally gives him the spotlight he so richly deserves. If you’ve ever felt like Atwater was always in the background, this episode ensures that no one will overlook his contributions again.
Kevin Atwater, portrayed by LaRoyce Hawkins, has been a steadfast member of the Chicago P.D. team since Season 1. Though his intelligence and dedication were always apparent, the show often relegated his character to a supporting role, with his personal life and struggles rarely explored in-depth. This pattern left fans yearning for a deeper exploration of Atwater’s backstory, motivations, and personal growth. Episode 17 marks a significant shift as Atwater steps into the forefront. The episode expertly blends action with character development, showing that Atwater’s story deserves more attention. With Hawkins’ impeccable performance, viewers are able to understand Atwater’s inner turmoil, frustrations, and the ways in which his past impacts his actions in the present. Atwater’s evolution as a cop, as well as his emotional depth, finally receive the attention they’ve long warranted.
What makes this episode a standout is its focus on Atwater’s moral compass. The story brings Atwater to a crossroads, forcing him to confront difficult truths about his role in the department and the choices he’s made throughout his career. As the episode unfolds, Atwater’s ability to navigate the complex dynamics of law enforcement comes to the forefront. We see him grapple with questions of loyalty, justice, and personal integrity, which adds layers to his character that were previously underexplored. A standout scene in the episode is when Atwater is forced to choose between doing what’s right and protecting the people he cares about. It’s a moral dilemma that many of his colleagues have faced, but this time, Atwater’s decision has far-reaching consequences. Watching him wrestle with the pressure of his job and his values makes this episode a game-changer not only for his character but for the series as a whole.
For long-time viewers, this episode is a rewarding experience because it finally delivers the emotional depth that Atwater has been missing in previous seasons. While his colleagues have been given their fair share of personal storylines—from Hank Voight’s internal struggles to Jay Halstead’s complex past—Atwater’s journey has often been sidelined. Episode 17 rectifies this, giving viewers a glimpse into his emotional world. Atwater’s relationships, both with his family and his colleagues, are explored in a more intimate way, showing his vulnerabilities and personal struggles. This exploration of his emotional landscape adds a much-needed layer of complexity to his character. His bond with his brother, in particular, is highlighted, showing that Atwater is more than just a tough cop—he’s a man trying to navigate life’s challenges and live up to the expectations placed on him.
LaRoyce Hawkins’ portrayal of Kevin Atwater is nothing short of exceptional in this episode. His nuanced performance brings an emotional authenticity to the character, capturing Atwater’s internal conflict and sense of responsibility. Hawkins skillfully conveys Atwater’s growth as a person and a cop, making his character’s evolution both believable and moving. It’s clear that Hawkins has been waiting for a storyline that would allow him to showcase his range, and Chicago P.D. Season 12, Episode 17 gives him that opportunity in full. The episode gives Hawkins the space to fully express the emotional weight of Atwater’s decisions, allowing him to shine in scenes that are at once tense and deeply emotional. This is Hawkins’ best performance to date, and it’s no surprise that fans are reacting with praise, knowing that Atwater’s arc is finally living up to its potential.
