Disney’s Head of Television, Craig Erwich, has opened up about some major shifts across the company’s programming, addressing the impact of the recent writers’ and actors’ strikes, the conclusion of two beloved dramas, and new strategic directions.
The writers’ and actors’ strikes brought significant challenges to the industry, disrupting production schedules and delaying premieres. Erwich acknowledged the difficulties, emphasizing the company’s support for resolving the strikes and ensuring fair treatment for creative talent. “The strikes allowed us to reflect on how we can better work with our teams, ensuring everyone’s contributions are valued,” he said.
Despite the setbacks, Erwich expressed confidence in Disney’s ability to recover, highlighting a robust slate of content ready for audiences once normal operations resumed.bTwo of Disney’s flagship dramas, Station 19 and The Good Doctor, are nearing their final chapters. Both series have been cornerstones of the network’s lineup, with devoted fan bases and impactful storytelling.
Erwich reflected on their legacies, stating, “These shows have been monumental in shaping our programming and connecting with audiences. While it’s always bittersweet to say goodbye, we’re proud of the stories they’ve told and the impact they’ve had.”
In a notable programming shift, Disney plans to focus more on unscripted content during the 10 PM slot, capitalizing on the growing demand for reality and competition shows. This move aligns with a broader trend in the industry, where unscripted programming provides a cost-effective alternative with strong viewer engagement.b“We’re exploring innovative formats that will resonate with audiences and keep the energy high during late-night programming,” Erwich explained.
Only Murders in the Building Heads to LA
The Emmy-winning series Only Murders in the Building is shaking things up in its upcoming season, relocating the mystery from New York to Los Angeles. The move signals a fresh chapter for the hit show, promising new dynamics and challenges for the beloved trio of amateur sleuths. Erwich teased, “Taking the story to LA opens up endless possibilities. The city’s unique backdrop will bring a whole new flavor to the series while staying true to its quirky, engaging spirit.”
Looking ahead, Erwich emphasized Disney’s commitment to storytelling and innovation. From investing in emerging talent to diversifying content genres, the network is poised to remain a leader in entertainment. Whether it’s bidding farewell to long-running dramas, reimagining late-night programming, or charting new territories with fan-favorites like Only Murders in the Building, Disney Television is adapting to the evolving industry while keeping audiences at the heart of its strategy.
