Heart of the Inferno: Inside Firehouse 51, Where Brotherhood Forges Heroes and Every Call is a Fight for Survival.

Chicago Fire Season 13, Episode 6, “Birds of Prey” is not an episode fans are going to remember on its own — except for maybe Mouch being attacked by a bird. The value of the episode is that its main story, involving yet another suspicious fire in Chicago, sets up an ongoing subplot for Kelly Severide and Chief Dom Pascal. And in so doing, it gives Pascal some valuable character development.

“Birds of Prey” largely revolves around a fire that breaks out at a storage facility. Upon inspecting the affected storage units, Firehouse 51 finds several cases of 3D-printed guns — and stumbles into an Illinois State Police investigation. The usual territorial drama follows, but Taylor Kinney is always reliable in such stories, and Dermot Mulroney makes a more than capable wingman for him.

Chicago Fire Season 13 Finds Something Else for Pascal

The New Chief Has a Better Storyline to Work With

The general beats of the A-story in “Birds of Prey” are familiar: someone at Firehouse 51 (usually Severide) disagrees with an outside group or agency about how something is handled, and Firehouse 51 turns out to be right, or at least on the right track. What makes this one work is the same thing that’s made previous stories of this type work — the conviction of Taylor Kinney. He always plays Severide with such determination and self-confidence that it’s impossible not to root for him against whoever is standing in his way. It seems strange at first to pair him with Chief Pascal, but Kinney and Mulroney mesh pretty well together.

Patrick John Flueger as Ruzek and Miranda Rae Mayo as Kidd in the 2025 One Chicago crossover

The storyline is actually better for Pascal. The swerve of Severide suspecting him of being corrupt is old hat as far as procedurals go, but the plot as a whole gives Mulroney different things to do, from schmoozing the corrupt state police officer to pulling rank on his lieutenant. This is already likely a third to about halfway through Season 12 (previous seasons have had anywhere from 13 to 24 episodes), so the “getting to know you” period is over and it’s time to dig deeper. So far, Pascal’s biggest story has been the very complicated relationship he has with his wife, and that’s just not enough to sustain interest. Making him an ally to Severide here, and getting the chance to see how far he’ll actually go to back up his new firehouse, is a lot more intriguing and more worthwhile.

Kelly Severide: If he’s getting into something shady, I’m not just gonna stand on the sidelines.

It’s still hard to tell if Pascal will be sticking around. Audiences know that Christopher Herrmann is still planning to take the promotion exam, and having him miss it again would be groan-worthy. So unless the writers come up with a reason for Herrmann to fail it (which is possible because Herrmann can be unpredictable), Pascal might be a shorter-term character. If that’s the case, having him fall on some kind of sword to stand up for the right thing would be one heck of an arc, and very Wallace Boden-like of him. If he does continue on, this is the story that could get everyone totally on his side. Viewers certainly haven’t seen the full extent of Mulroney’s range yet.The reference to Treat Williams’ still-missed Benny Severide is appreciated, though thankfully Chicago Fire doesn’t decide that Pascal also has a past with him. Instead, revealing that Pascal had a corrupt colleague in Miami is a way to make his professional history relevant — not just his personal one. It adds another layer to who the character is. Audiences know Firehouse 51 needed Pascal because there was a vacancy, but this storyline could be a path toward explaining what Pascal gets from being part of 51. He and Severide are both incredibly stubborn and both have tempers, so they should be a formidable pair, and everyone wins seeing a new dynamic flourish.

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