
Unlike Chicago P.D. and the rest of the One Chicago franchise, however, On Call isn’t set in the Windy City but in Long Beach, California. Officers Harmon and Diaz work at the Long Beach Police Department, and all the action in the series (so far) takes place in the city just south of Los Angeles. Yet the show’s location doesn’t automatically exclude it from being part of the same universe as One Chicago. The original series of Law & Order was based in New York, but that didn’t stop it from having an entire One Chicago crossover episode with Chicago P.D. in the sixteenth season of Law & Order: Special Victims Unit.
On Call Isn’t Part Of The One Chicago Universe (At Least Not Yet)
Season 1 Keeps The Worlds Separate For Now
Nevertheless, Elliott Wolf, who co-created On Call with Tim Walsh, has suggested that the show’s story isn’t related to One Chicago. At least, it’s not at this stage, following On Call’s debut, five-episode season set entirely in Long Beach. In response to a question about whether One Chicago and On Call are in the same universe, Wolf told Variety, “They never are until they are.”
On Call’s Monica Raymund Doesn’t Ruin The Shared Universe Chances With One Chicago
She’s Far From The First One Chicago Actor To Play More Than One Character
It might seem like Raymund’s appearance as a completely separate character from her major role in the One Chicago shows ruins the chances of On Call sharing the same universe as the franchise. Given Dick Wolf’s history of both mixing and matching different characters and actors in his franchises, however, this assumption is slightly reductive. There are even four actors who play multiple characters within the One Chicago shows themselves. So Raymund could easily become the fifth multi-character actor in the franchise’s universe.
A Crossover With On Call & One Chicago Would Only Fully Work On Streaming
On Call On Network Television Doesn’t Make Sense
Unlike the One Chicago and Law & Order series, On Call has the advantage of being made for streaming, which has afforded it certain structural and stylistic freedoms shows made for network television don’t have. Wolf and Walsh have adapted a classic 30-minute police drama format to a continuous narrative across five concise episodes, in which most of the action is shot in a handheld style resembling police body-cam footage. It would be difficult to transfer the gritty realism of its depictions into the format of network TV, which provides One Chicago with most of its viewership.
On the other hand, it’d be intriguing to watch Hank Voight and Kim Burgess from Chicago P.D. portrayed in the innovative format and style On Call uses. A new generation of police drama fans could also be introduced to these legendary characters from one of Dick Wolf’s most enduring onscreen creations. With season 1 currently riding high in the streaming charts, there’s every chance future episodes will open up the possibility of Long Beach’s own “Chicago Crossover.”